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A potent though short-lived force in the early 1990s, lyrically, riot grrrl had a strong feminist agenda, whilst musically it was strongly influenced by punk rock. The spiritual roots of riot grrrl can be traced back to the all-female British punk band The Slits from the 1970s. With its origins in America, and an agenda of ‘cutting ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Randy Rhoads (1956–82) had a career that lasted only six years. He played with Quiet Riot and Ozzy Osbourne before dying in a plane crash in 1982. But his guitar style, which included classical influences, opened up new directions in heavy metal, and he was an acknowledged influence on a subsequent generation of guitarists, including Zakk Wylde. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

During the mid-1960s, America’s military action in Vietnam was escalating out of control; students around the world were becoming more politically involved, civil rights and feminism were hot issues and the burgeoning youth movement was turning onto the effects of mind-bending drugs. Accordingly, certain strains of popular music melded attitude, experimentation and a social conscience, and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocal/instrumental group, 1990–98) Named after a feminist magazine of the same name, Seattle’s Bikini Kill spearheaded the riot grrrl movement. Kathleen Hanna (vocals), Tobi Vail (drums) and Kathi Wilcox (bass) published the magazine and roped in Billy Boredom on guitar. Musically a mixture of punk and feminist lyrics, the band built up a no-compromise reputation as a live ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Funk stars of the 1970s like The Ohio Players, Sly & The Family Stone and Funkadelic didn’t realize for a decade that hard rock ears had been paying attention. That same decade, Aerosmith’s combination of white-boy electric blues and propulsive arena hard rock had been deemed as unique, with just Grand Funk Railroad working along the similar lines. ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

A largely British movement, glam rock and glitter were highly popular in the early 1970s – so popular that one artist, Marc Bolan, was given his own TV series. Inspired by early rock’n’roll and bubblegum pop, glam rock was fun, catchy and melodic, played with crunchy, distorted guitars, with the musicians dressing up ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

‘The Mastersingers of Nuremberg’ Die Meistersinger has often been described as a comedy. This, though, is not ‘comedy’ as found in the operas of Rossini or in Verdi’s Falstaff: what ‘comedy’ means in this context is the bitter ‘human comedy’. The premiere of Die Meistersinger took place in Munich on 21 June 1868. Wagner based his opera on the real-life ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Composed: 1911–15 Premiered: 1917, Munich Libretto by the composer Act I The composer Palestrina used to serve the pope. He was dismissed when he married, but has written nothing since his wife died. His pupil Silla finds his music old-fashioned. Palestrina tells Cardinal Borromeo that Silla may be right. Perhaps the style of the old masters is obsolete. Borromeo ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The full title of this opera in three acts is Tannhäuser und der Sängerkrieg auf Wartburg (‘Tannhäuser and the Song Contest on the Wartburg’). Wagner, who took nearly three years to write the opera, conducted the first performance at the Dresden Hofoper on 19 October 1845. This was the first of two Wagner operas in which a song contest ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1885–1935, Austrian The composer of just two operas, Berg was a man who took atonality and stretched it to its expressionistic limits. While Joseph Haydn (1732–1809), Mozart and Ludwig van Beethoven (1770–1827) are often referred to as the First Viennese School, the so-called Second Viennese School consists of Berg together with fellow student Anton Webern (1883–1945) and their ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1800–76, Italian Antonio Tamburini, the Italian baritone, was 18 when he made his debut in Cento in Contessa di colle erboso (‘Countess of the Grassy Hill’, 1814) by Pietro Generali. Tamburini went on to appear at La Scala, Milan in 1822 and 1827–30, in Naples in 1824 and 1828–32), the London Haymarket (1832–51) and Covent Garden ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Django Reinhardt (1910–53) overcame physical disabilities to create a unique playing style and one of the most highly influential sounds in jazz. He was born in Belgium to gypsy parents. At the age of eight his mother’s tribe settled near Paris. The French Gypsies, or Manouches, were medieval in their beliefs, and distrustful of modern science. But Django ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Joo’-sep-pa Ver’-de) 1813–1901 Italian composer Verdi composed 28 operas over a period of 54 years. In his native Italy he became immensely popular early in his career, and by the time he died he was idolized as the greatest Italian composer of the nineteenth century. In other musical centres of Europe it took a little longer for Verdi’s genius to be ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

January The Bookmobile And European Tour ‘It was a travelling library that was found in Phoenix, Arizona, and converted into an RV [recreation vehicle],’ Billie Joe told a TV interviewer in 1994 when discussing the Bookmobile inside the vehicle. ‘A lot of people come up to us and say, “Do you have books for sale in there ?”. ...

Source: Green Day Revealed, by Ian Shirley

Spring Returning To The Studio The break from touring allowed Green Day to recharge their batteries, although with Billie Joe always writing songs they had a wealth of material to record when they returned to the studio in early 1997. During discussions with producer Rob Cavallo, the band stressed that they wanted to do something different musically. As sessions ...

Source: Green Day Revealed, by Ian Shirley
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